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Friday, October 28, 2011
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Brian Higgins and Xenomania created "Biology" in reaction to Girls Aloud's previous single "Long Hot Summer", which Higgins called "a disaster record." Higgins continued, "I think that it is a wonderful record - so uplifting. It meant so much to us and it really set Chemistry up well." The lyric referring to "wicked games", which is mentioned in the Animals-inspired riff, was inspired by Girls Aloud almost releasing a cover of Chris Isaak's "Wicked Game" as a single.
The song's title inspired the album's title, Chemistry. Both the single and album title refer to the scientific fields of biology and chemistry.
"Biology" received almost universal acclaim from music critics. The song was particularly notable for its informal structure. Popjustice referred to the song as "pop music which redefines the supposed boundaries of pop music." BBC Music said "the girls rip through a variety of styles, paces and Neneh Cherry-esque raps all within the same song." Virgin Media praised the song for "blending the kind of saucy cabaret you'd expect to find in a gin-soaked saloon bar with a glorious chorus of fizzing, gliding synths and deceptively breakneck beats." The song was described as "about as far from tired formula as you can possibly get. It sounds like three separate melodies condensed into one, from the Muddy Waters-apeing riff at the start, through to the glorious pop sheen of the verses, and having the sheer balls to wait two minutes before even introducing a chorus." musicOMH noted that the song "breaks all the rules of manufactured pop" and stated that "Biology is yet more proof that Xenomania write the best pop songs around and that Girls Aloud are pretty much the perfect group to sing them it's the single of the year. Stylus Magazine also praised the song.
"Biology" is composed of a number of distinctly different sections. The song begins with Nadine Coyle singing over a bluesy piano riff, based on the main riff from The Animals' "Club A-Gogo". The first verse occurs, followed by two noticeably individual transitional bridges. Around two minutes into the song, the song reaches its climactic chorus before returning to the stanza heard in the introduction. The song repeats the chorus and the introduction is also used as an outro. The song avoids the typical AABA form and verse-chorus form present in most contemporary pop music.
"Biology" is a song performed by British all-female pop group Girls Aloud, taken from their third studio album Chemistry (2005). The song was written by Miranda Cooper, Brian Higgins and his production team Xenomania, and produced by Higgins and Xenomania. Composed of distinct sections, it avoids the verse-chorus forum present in most contemporary pop music. "Biology" was released as a single in November 2005, ahead of the album's release. Following the disappointment of "Long Hot Summer", "Biology" returned Girls Aloud to the top five of the UK Singles Chart and became their tenth top ten hit.
The song's title inspired the album's title, Chemistry. Both the single and album title refer to the scientific fields of biology and chemistry.
"Biology" received almost universal acclaim from music critics. The song was particularly notable for its informal structure. Popjustice referred to the song as "pop music which redefines the supposed boundaries of pop music." BBC Music said "the girls rip through a variety of styles, paces and Neneh Cherry-esque raps all within the same song." Virgin Media praised the song for "blending the kind of saucy cabaret you'd expect to find in a gin-soaked saloon bar with a glorious chorus of fizzing, gliding synths and deceptively breakneck beats." The song was described as "about as far from tired formula as you can possibly get. It sounds like three separate melodies condensed into one, from the Muddy Waters-apeing riff at the start, through to the glorious pop sheen of the verses, and having the sheer balls to wait two minutes before even introducing a chorus." musicOMH noted that the song "breaks all the rules of manufactured pop" and stated that "Biology is yet more proof that Xenomania write the best pop songs around and that Girls Aloud are pretty much the perfect group to sing them it's the single of the year. Stylus Magazine also praised the song.
"Biology" is composed of a number of distinctly different sections. The song begins with Nadine Coyle singing over a bluesy piano riff, based on the main riff from The Animals' "Club A-Gogo". The first verse occurs, followed by two noticeably individual transitional bridges. Around two minutes into the song, the song reaches its climactic chorus before returning to the stanza heard in the introduction. The song repeats the chorus and the introduction is also used as an outro. The song avoids the typical AABA form and verse-chorus form present in most contemporary pop music.
"Biology" is a song performed by British all-female pop group Girls Aloud, taken from their third studio album Chemistry (2005). The song was written by Miranda Cooper, Brian Higgins and his production team Xenomania, and produced by Higgins and Xenomania. Composed of distinct sections, it avoids the verse-chorus forum present in most contemporary pop music. "Biology" was released as a single in November 2005, ahead of the album's release. Following the disappointment of "Long Hot Summer", "Biology" returned Girls Aloud to the top five of the UK Singles Chart and became their tenth top ten hit.
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Ganesha Home Page
Festivals associated with Ganesh are Ganesh Chaturthi or Vināyaka chaturthī in the śuklapakṣa (the fourth day of the waxing moon) in the month of bhādrapada (August/September) and the Gaṇeśa jayanti (Gaṇeśa's birthday) celebrated on the cathurthī of the śuklapakṣa (fourth day of the waxing moon) in the month of māgha (January/February)."
There are many other important Ganesha temples at the following locations: Wai in Maharashtra; Ujjain in Madhya Pradesh; Jodhpur, Nagaur and Raipur (Pali) in Rajasthan; Baidyanath in Bihar; Baroda, Dholaka, and Valsad in Gujarat and Dhundiraj Temple in Varanasi, Uttar Pradesh. Prominent Ganesha temples in southern India include the following: Kanipakam in Chittoor; the Jambukeśvara Temple at Tiruchirapalli; at Rameshvaram and Suchindram; Karpaka Vinayakar Temple in Tamil Nadu; at Malliyur, Kottarakara, Pazhavangadi, Kasargod in Kerala, Hampi, and Idagunji in Karnataka; and Bhadrachalam in Andhra Pradesh.
Ganesha is Vighneshvara or Vighnaraja, the Lord of Obstacles, both of a material and spiritual order. He is popularly worshipped as a remover of obstacles, though traditionally he also places obstacles in the path of those who need to be checked. Paul Courtright says that "his task in the divine scheme of things, his dharma, is to place and remove obstacles. It is his particular territory, the reason for his creation."
Krishan notes that some of Ganesha's names reflect shadings of multiple roles that have evolved over time. Dhavalikar ascribes the quick ascension of Ganesha in the Hindu pantheon, and the emergence of the Ganapatyas, to this shift in emphasis from vighnakartā (obstacle-creator) to vighnahartā (obstacle-averter). However, both functions continue to be vital to his character, as Robert Brown explains, "even after the Purāṇic Gaṇeśa is well-defined, in art Gaṇeśa remained predominantly important for his dual role as creator and remover of obstacles, thus having both a negative and a positive aspect".
The canonical literature of Jainism does not mention the worship of Ganesha. However, Ganesha is worshipped by most Jains, for whom he appears to have taken over certain functions of Kubera. Jain connections with the trading community support the idea that Jainism took up Ganesha worship as a result of commercial connections. The earliest known Jain Ganesha statue dates to about the 9th century. A 15th century Jain text lists procedures for the installation of Ganapati images. Images of Ganesha appear in the Jain temples of Rajasthan and Gujarat.
There are many other important Ganesha temples at the following locations: Wai in Maharashtra; Ujjain in Madhya Pradesh; Jodhpur, Nagaur and Raipur (Pali) in Rajasthan; Baidyanath in Bihar; Baroda, Dholaka, and Valsad in Gujarat and Dhundiraj Temple in Varanasi, Uttar Pradesh. Prominent Ganesha temples in southern India include the following: Kanipakam in Chittoor; the Jambukeśvara Temple at Tiruchirapalli; at Rameshvaram and Suchindram; Karpaka Vinayakar Temple in Tamil Nadu; at Malliyur, Kottarakara, Pazhavangadi, Kasargod in Kerala, Hampi, and Idagunji in Karnataka; and Bhadrachalam in Andhra Pradesh.
Ganesha is Vighneshvara or Vighnaraja, the Lord of Obstacles, both of a material and spiritual order. He is popularly worshipped as a remover of obstacles, though traditionally he also places obstacles in the path of those who need to be checked. Paul Courtright says that "his task in the divine scheme of things, his dharma, is to place and remove obstacles. It is his particular territory, the reason for his creation."
Krishan notes that some of Ganesha's names reflect shadings of multiple roles that have evolved over time. Dhavalikar ascribes the quick ascension of Ganesha in the Hindu pantheon, and the emergence of the Ganapatyas, to this shift in emphasis from vighnakartā (obstacle-creator) to vighnahartā (obstacle-averter). However, both functions continue to be vital to his character, as Robert Brown explains, "even after the Purāṇic Gaṇeśa is well-defined, in art Gaṇeśa remained predominantly important for his dual role as creator and remover of obstacles, thus having both a negative and a positive aspect".
The canonical literature of Jainism does not mention the worship of Ganesha. However, Ganesha is worshipped by most Jains, for whom he appears to have taken over certain functions of Kubera. Jain connections with the trading community support the idea that Jainism took up Ganesha worship as a result of commercial connections. The earliest known Jain Ganesha statue dates to about the 9th century. A 15th century Jain text lists procedures for the installation of Ganapati images. Images of Ganesha appear in the Jain temples of Rajasthan and Gujarat.
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